Lately, it feels like music moves the same way that everything else does, fast. A song can be everywhere one week and completely gone the next, not because it was bad, but because something newer replaced it. TikTok is at the center of how music travels. A fifteen second clip can introduce a song to millions of people before it ever reaches radio or playlists. This can happen before the artist is even fully prepared for that level of attention. Most times you hear the sound before you learn their name.

What feels different now is how little time songs are given to settle. Music often reaches us mid moment. Mid chorus. Mid trend. By the time you search for the full song, you get hype for the part that matters most online and the rest of the song feels like a flop. Then, once the sound stops circulating, there isn’t much incentive to return to it.

Because of that, it’s a curious case whether the 2020s will produce music that lasts through generations. Will there be any classics that come from this era?

Not because today’s artists lack talent, but because the environment doesn’t reward longevity. Songs used to live with people longer. You heard them repeatedly, in different settings, over time. Now music exists alongside an endless stream of content, all competing for attention in the same space. A lot of current music reflects that reality. We get a catchy hook, no bridge, and lyrics are simple enough to work as captions. This cannot be coincidence, artists are responding to how people receive music.

This also creates a cycle where success feels temporary. A song can reach a massive audience without building a lasting connection. Once the moment passes, there isn’t always a foundation left behind.

Looking ahead to 2026, it seems like the artists who last will be the ones who find ways to exist outside of constant virality. They must build smaller but more consistent audiences and perform live in ways that translate outside a screen. This will create a sense of identity that isn’t tied to one sound/trend nor will it put pressure on an artist to pump out viral music to stay relevant

TikTok will likely remain the introduction point, it works too well not to. But it may stop being the end goal. Growth might look slower. Less explosive. More intentional.

The industry needs a fresh start. Not rejecting the internet, just adjusting to it. In 2026, music will still move fast. That probably won’t change. The difference may be in which artists find ways to stay present once the moment passes.

And it will be interesting to see who figures that out first.